• 2018


    Corner of the Park | Prologue


    In the process of reading through his childhood diaries, a long-forgotten image reemerges in the author s mind. This project is about returning to the scene of memory in search of evidence of an individual s existence. It forms a fragmented mosaic through 81 interrelated threads. This is a visual novel that continuously unfolds within the space of the museum.This prologue to Corner of the Park being exhibited here is based on the painting Hunters in the Snow by Pieter Bruegel the Elder. This is a five channel computer-generated video in which five corners of the world sometimes align as a unified whole, and sometimes divide into separate comers, but all of this is merely a portion of the world. The five channel installation is generated by a computer. The continuous camera shot appears to wander through the ruins of memory in a dream realm, with dreams and memories weaving together in fabrication. As the channels converge and diverge, objects serve as backdrops for each other. Concealed behind the curtains of memory are the “actors” out of their makeup, and scenes repressed by the subconscious.The Moving Image Installation is a chapter of the author's Project"Mnemosyne".


    公园一角 | 序:


    作者重读自己童年所有日记的过程中,一个记忆中早已经消失的背影突然浮现。这个计划关于重回记忆的现场,去寻找一个人存在的证据,完成一个碎片化的拼图。这是一部在展览空间中持续展开的视觉“小说”,呈现为多屏幕的CGI影像装置。“公园一角”序,源于勃鲁盖尔《雪中猎人》这幅画。多个视角的世界时而成为一个整体,时而成为分离的角落,然而,一切都只是这个完整世界的一个局部。多屏装置由计算机软件渲染生成,从头至尾一镜到底,如同一个梦境中的漫游者,在记忆中的废墟中穿梭,梦境和回忆在偏离和虚构中交织。在若即若离的镜头中,物与物之间互为背景。记忆的幕间,藏着幕后那些卸妆的“演员”们,那些潜意识中被压抑的现场。作品和影片“尤利西斯”共同构成“谟涅摩绪涅”计划的序章。